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With this in mind, experiment with the vast spatial range of the R88 and its great capacity for far-field applications.
Servers and Enterprise Development. In the following audio clip, everything is captured—including the sound of the ocean, a crying baby, the loud audience, and the beautiful sound of the orchestra.
Collapse the table of content. Most engineers directsond with channel 1 panned hard to the left and channel 2 panned hard to the right. The versatile R88 excels at recording string sections, quartets, orchestras, and other ensembles from a distance. Directsund buffers can also be used to stream data, in cases where a sound file contains more data than can conveniently be stored in memory.
However, if DirectSound must emulate hardware features in software, the mixer cannot achieve low latency, and a longer delay typically milliseconds occurs before the sound is reproduced. Under these conditions, if your application plays a buffer and immediately begins a screen animation, the audio and video appear to start at the same time.
This setup with N8s has become a staple in Hollywood when recording movie scores. When both channels are hard-panned left and right, any source that is within this green area will sound like it is coming from that specific area.
How To Record Violin and Viola With the R88
From as far as 20 feet away, the R88 captures detailed, balanced sound of an instrument section and supplements it with massive room tone. In the following video, the R88 adds depth and capture the natural sound of the lion cages at the old Los Angeles Zoo, while its sister mic, the N8 is positioned up close and acts as a focus mic adding clarity.
For greater stereo spread and added room tone, pull the R88 further away. This creates the largest and most realistic stereo width. However, if your application is to perform its own mixing, DirectSound will let you write directly to the primary buffer.
In this video, only the N8s are heard.
For more information on how to do this, see Creating Secondary Buffers. One is to position it behind and above the played pointing towards the hammers. Is this page helpful? Try positioning it roughly 12 inches from the ground, 20 inches from the piano frame. Any number of secondary buffers can be played at one time, up to the limits of available processing power and system memory.
Explore the R88 Microphone. This site uses cookies for analytics, personalized content and ads.
Buffer Basics (Windows CE )
Recording an entire string section is made simple by fixing two N8s in the Blumlein configuration or ORTF and perching it 6 to 10 feet in front of the instrumentalists. When you initialize DirectSound in your application, it automatically creates and manages a primary sound buffer for mixing sounds and sending them to the output device.
You can create two or more secondary buffers in the same physical memory by using the IDirectSound:: This will give you a balanced stereo spread in the two channels of the microphone. Within that range, the R88 can be moved closer or farther from the cello to temper the amount of low-end proximity effect.
How To Record Piano With the R88 | AEA Ribbon Mics & Preamps
Its far-field functionality and dual figure-of-8 polar patterns allow for the blending of the direct sound of your instrument with expansive, dimensional room sound. The application can play a sound stored in a secondary buffer as a single event or as a looping sound that plays continuously. It may contain a single sound that is to be played repeatedly, such direcrsound a sound effect in a game, or it may be filled with new data from time to time.
The image below shows where both elements of the R88 capture sound. When recording ensembles, make sure that the musicians are located within this green area.
When recording cello, try positioning the R88 between 1 and 4 feet in front of the instrument with the white line aimed directly at the center of it.
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